Ivory Forest

As Gomrich beautifully notes in The Story of Art, “One Egyptian word for sculptor was actually 'He-who-keeps-alive'.” This sentiment resonates deeply within Anasuya’s work, where she breathes new life into traditional crafts through her stunning sola wood sculptures.

Sola wood, also known as shola or pith wood, is a remarkable material harvested from the spongy core of the Aeschynomene aspera plant, native to Southeast Asia. Its lightweight and easily carvable nature makes it ideal for creating intricate garlands, idols, and ceremonial crowns, especially during vibrant festivals like Durga Puja and Kali Puja. This delicate material not only showcases exquisite craftsmanship but is also steeped in local folklore, connecting it to revered deities such as Lord Shiva and Lord Krishna.

Anasuya, originally from West Bengal and now based in Baroda, brings her rich artistic background to life in this exhibition. With a BFA and MFA in painting from Kalabhavana, Santiniketan, her artistic journey is profoundly rooted in exploring femininity. Through her innovative use of sola wood, Anasuya creates murals & sculptures that feature soft colors and intricate carvings, often depicting adolescent female figures.

In The Ivory Forest, Anasuya stands at the forefront of integrating sola wood into the modern artistic landscape. By merging ancient techniques with contemporary expressions, she honors the craft's rich heritage while pushing its boundaries. Her work not only maintains the physicality of sola wood but also infuses it with renewed cultural significance, ensuring that the stories and spirit of women resonate powerfully in our contemporary world.

Anasuya, 45, has been a part of AQ@Priyasri -The Art Studio, Baroda, for the past two decades.